Wilczynska, 41, maintains a strict boundary: AI never touches the canvas. She refuses to use generative tools for ideation, brainstorming, or visual storytelling, insisting that the value of her work lies in the human experience of sketching on location and the tactile nature of ink and watercolor. For her, the art must remain a product of lived experience rather than algorithmic synthesis.
However, her background in tech allows her to leverage AI as a digital assistant for the non-creative labor of running Swil Arts. She uses custom-trained GPTs to filter grant opportunities, provide critiques on her finished pieces based on her established style, and assist with technical tasks like architectural perspective adjustments for client commissions. By offloading bookkeeping, research, and administrative drafting to these tools, she estimates she saves at least 20 hours of labor each week.
Despite her reliance on these workflows, Wilczynska remains wary of the broader industry trajectory. She expresses concern regarding the environmental impact of large-scale models and the lag between technological growth and ethical regulation. For her, the key is constant reevaluation—ensuring that every digital intervention aligns with her personal values and that technology remains a supplement to, rather than a replacement for, human expression.

Comments (0)
No comments yet. Be the first!